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PARIS, Aug. 4, 2021, /PRNewswire=KYODO JBN/ --

 

In the first semester of 2021 the art auction market managed to recover all of

its dynamism. If all goes well, the art fairs will resume in September. They

will, however, have to contend with a substantially modified market

characterised by the sensational arrival of NFTs and sky-high prices for works

by very young and popular artists, both phenomena which suggest a strong urge

to shake up the established order. While collectors seem to be in a hurry to

invest in what might be called the "Art Market 2.0", even if it means

by-passing galleries, lots of artists also want to take advantage of the art

market's digital transformation, and… the auction houses appear keen to join in

the 'disruptive' process.

 

Artprice indicators of the art market's health (H1 2000 - H1 2021)

Auction turnover, Sold lots, Unsold rates and Highest price (first semesters)

 

According to thierry Ehrmann, President and Founder of Artmarket.com and its

Artprice department

"Two Art Markets are currently coexisting: one organic, the other disruptive.

The first is traditional and takes into account the History of Art, with its

codes, its museums, its galleries, its fairs, its biennials, etc. The second

reflects a world undergoing a profound reorganization, challenging 'official

history' through movements like #metoo and #blacklivesmatter and clearly

oriented towards the numerous political, climatic, health and technological

challenges ahead".  

 

This analysis provides an overview of the transformations undertaken in H1

2021. The distinction between a "new" and an "old" art market is purely

theoretical, but it allows us to apprehend the mechanisms now underlying a

whole tranche of the market's transactions. It also allows us to understand how

Beeple's The first 500 days (2021) could be purchased for $69 million against a

starting price of just $100... an artist who wasn't on the radar of any of the

market's key players: no gallery, no exhibitions and no auction results… but

who had several million followers on Instagram and the support of Christie's,

one of the oldest and most respectable auction houses on the planet.

 

Fine Art auction turnover (H1 2000 - H1 2021)

(Broken down by creative periods)

 

Affordable works at the core of the newly-configured market

 

Fine art auctions generated $6.9 billion in H1 2021, up 3% versus H1 2019. This

performance is extremely reassuring in view of the health crisis, which is

still paralyzing whole segments of the cultural scene and is still the source

of substantial near-term uncertainty. The auction operators nevertheless

managed to generate a turnover equivalent to the average for the ten years

before the health crisis (H1 2010 - H1 2019), i.e. since China's rise on the

international art market.

 

This latest recovery is all the more robust for being based on a record number

of transactions: 288,500 artworks were sold in six months, up 5% versus H1

2019. The increase is particularly visible in the affordable segments covering

price ranges between $1,000 and $20,000 where the number of lots sold rose 13%.

The high-end market slowed somewhat in the first six months of the year: lots

sold between $1 and 50 million contracted 1.4%, from 855 lots (in H1 2019) to

843 lots.

 

The intensity of demand has been confirmed by a significantly lower-than-usual

unsold rate. This indicator, which reflects the balance between supply and

demand, has fluctuated between 32% and 36% for the past decade. For the first

six months of 2021 it was down to 28% and should therefore be watched carefully

over the coming months.

 

Beeple accounted for 1% of the art market

 

Online sales are now an integral part of auction house strategies. At the start

of the year, the Anglo-Saxon giants Christie's, Sotheby's and Phillips

dematerialized a little more than half of their operations: out of 258 fine art

sessions, 133 were conducted exclusively online. These transactions still only

generated a tenth (9.3%) of the operators' turnover as they mainly use this

sales channel for entry-level and mid-range lots.

 

But the automated online platforms set up by the sales companies are, by

nature, perfectly suited to NFTs, which have substantial potential in the

high-end market. In fact, NFTs already represent a third of the value of online

sales, or 2% of the global secondary art market in H1 2021. With his very first

sale at Christie's generating $69 million, Beeple alone accounted for exactly

1% of it!

                    

This new market is at the heart of the disruptive phenomena identified by

Artprice and it is indicative of the drive towards innovation within the

auction industry. A month after the sale of Beeple's work at Christie's,

Sotheby's organised a sale of NFTs (Non-Fungible Tokens) titled The Fungible

Collection by Pak. Ten days later, Phillips offered the first second-generation

NFT, a work called Replicator by Mad Dog Jones, which is designed to randomly

generate replicas of itself.

 

Contemporary art out-performs Post-War art

 

The Contemporary art segment (artists born after 1945) posted a historic

performance in H1 2021, up 50% versus H1 2019. The Modern art (-8%) and

Post-War (-4%) segments have not yet returned to the levels of intensity that

prevailed before the health crisis.

 

This situation has enhanced the visibility of Contemporary Art, which now

accounts for 23% of global fine art auction turnover compared with just 3%

twenty years ago. Having generated over $300 million (double Andy Warhol's

total), Jean-Michel Basquiat alone accounted for 4.3% of the global art auction

market in H1 2021.

 

Top 10 artists on the global auction market in H1 2021

 

© artprice.com

 

1. Pablo PICASSO (Modern Art): $352,169,000

 

2. Jean-Michel BASQUIAT (Contemporary Art): $303,537,000

 

3. Andy WARHOL (Post-War): $ 149,982,000

 

4. Claude MONET (19th century): $131,638,000

 

5. BANKSY (Contemporary Art): $123,328,000

 

6. ZAO Wou-Ki (Modern Art): $114,518,000

 

7. Gerhard RICHTER (Post-War): $97,920,000

 

8. Sandro BOTTICELLI (Former Master ): $94,206,000

 

9. Yoshitomo NARA (Contemporary Art): $85,937,000

 

10. ZHANG Daqian (Modern Art): $82,295,000

 

 

Banksy, a sign of the times

 

At 47, the anonymous street artist Banksy is one of the five most successful

signatures on the global art auction market, all creative periods combined! He

is even the most lucrative living artist on the planet, and, without the

support of either Larry Gagosian or David Zwirner! Universally adored for his

poetic and cynical incursions into public spaces, Banksy is revolutionizing the

art market with his Pest Control system that allows him to authenticate and

control the circulation of hundreds of thousands of unique or limited editions

works.

 

For five years, Banksy's auction turnover has been growing exponentially: $3

million in 2016, $7 million in 2017, $16 million in 2018, $29 million in 2019,

$67 million in 2020 and $123 million in H1 2021. With 913 lots sold at auction

in just six months, Banksy now covers all price ranges. With 11 million

followers on Instagram, he is already reaching future generations of collectors.

 

On 23 March 2021, his canvas Game Changer (2020) buried Christie's estimate at

a charity sale and set a new auction record at $23.2 million. The enthusiasm

surrounding this work reveals the preferences of an art market in search of

shocking works, in tune with current events. The work depicts a young boy

abandoning his Batman and his Superman to play with a 'super-nurse' doll.

 

The Hong Kong accelerator

 

Halted in its growth in 2020, the Hong Kong art market has posted two

consecutive semesters stronger than ever. The city is now posting the world's

highest average price for artworks sold at auction: with a total of $962

million hammered from only 3,200 fine art lots sold in H1, the average price is

around $300,000. This statistic sets Hong Kong apart from the other major art

market capitals since the average price is just $32,000 in London and $41,000

in New York.

 

Hong Kong also managed to attract three remarkable paintings by Jean-Michel

Basquiat which each fetched over $35 million. Both Christie's and Sotheby's now

seem convinced that these masterpieces of American Contemporary Art (which New

York's MoMA regrets not having acquired when they were much more affordable)

will sell for better prices in Asia than in London.

 

In the medium term, Hong Kong could even become the second largest market in

the world ahead of the UK, which totaled $1.2 billion in H1 2021 (only 21% more

than Hong Kong's $962 million). Ten years ago, the UK's secondary art market

was nearly five times larger than its former colony (+380%). However, the UK

retains a much more diversified art market: in H1 2021, it sold 36,000 works,

ten times more than Hong Kong.

 

Today, the former British colony is essentially playing an accelerator role for

the ultra-contemporary art market with Hong Kong buyers showing a greater

willingness to bid substantially above estimates, forcing London and New York

auctioneers to align their prices with Hong Kong's results, or risk seeing the

works of future art market superstars all sold through Asia.

 

Artists under 40 generating 7-digit results

 

Since his death less than two years ago, 62 works by Matthew Wong (1984-2019)

have been auctioned in New York, London and Hong Kong.

 

The 'international rachet mechanism' that has affected the prices of this

artist's creations can be seen at work in the prices of other superstars of his

generation, born after 1980. The ascensions of artists like Salman Toor, Avery

Singer and Amoako Boafo have been  incredibly swift. Within a matter of months

their works have become simply unavoidable on the international art market.

Highly gifted and appearing to be highly emblematic of our era, their works

have have been subject to fiercely competitive demand from American, European

and Asian collectors at the same time.

 

Top 5 artists born after 1980 (H1 2021): geographical breakdown of auction

turnover

 

1. Matthew Wong, $30 million: Hong Kong (44%), New York (37%), London (19%)

 

2. Avery Singer, $10.5 million : Hong Kong (53%), New York (38%), London (8%)

 

3. Salman Toor, $7.9 million: New York (45%), London (28%), Hong Kong (27%)

 

4. Ayako Rokkaku, $7.2 million: Hong Kong (40%), Tokyo (35%), Taipei (11%)

 

5. Amoako Boafo, $5 million: London (35%), New York (33%), Hong Kong (32%)

 

 

As we can see above, the sales of works by Japanese artist Ayako Rokkaku (b.

1982) have not followed this schema. Her colorful acrylics on canvas are

circulating with substantial intensity in Southeast Asia where 44 of his

paintings were auctioned in H1 2021 for an average price of $170,000. Her best

works, initially put into circulation by the Amsterdam-based Delaive gallery,

almost always end up at auction in Asia.

 

Blue-chip artists still holding strong

 

In New York, Pablo Picasso's Woman Seated by the Window (1932) crossed the $100

million threshold for the first time in 24 months. This result confirms the

renewed confidence of both buyers and sellers. The exponential rise in the

value of Picasso's works over the last quarter-century has crystallized,

despite the sequence of financial and health crises. The value of this painting

evolved from $7.5 million in 1997 to $45 million in 2013, finally reaching

$103.4 million this year.

 

The year 2021 also started very well on New York's high-end market with the

eagerly awaited sale (at the end of January) of a portrait attributed to Sandro

Botticelli. Fetching just over $92 million, this was the second best auction

result ever recorded for an Old Master behind Leonardo da Vinci's Salvatore

Mundi. However, more than three and a half years after its sale, the $450

million payed in November 2017 for the portrait of Christ holding a crystal orb

has become subject to a growing number of questions.

 

The first six months of 2021 also saw the sale of several Impressionist

masterpieces (by Monet, Van Gogh and Cézanne,) as well as a number of

masterpieces of American Abstraction and Lyrical Abstraction (by Twombly,

Rothko and Chu Teh-Chun, among others). There were also some very famous

portraits (Warhol's Double Elvis and Lucien Freud's David Hockney). But the

period will remain above all marked by the first sales of NFTs and the

extraordinary price records for very young artists that Artprice will analyze

in detail in its upcoming Contemporary Art Market Report, to be published on

the occasion of the Frieze and FIAC art fairs in October.

 

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