Artprice traces the Art Market's recent history via Sotheby's
PR86949
PARIS, Dec. 2, 2020 /PRNewswire=KYODO JBN/ --
Between its second IPO in 1988 and its delisting in October 2019, the
prestigious American auction house often reoriented its global strategy and
made numerous operational adjustments involving cost management, offering more
guarantees, structural reorganizations, new managerial team, etc. But Sotheby's
has arguably made the biggest change in its history this year, by completely
dematerializing its catalogs and asserting itself as the leading platform for
online Fine Art auctions.
"The history of Sotheby's over the past thirty years is a marvelous
illustration of the recent history of the Art Market," says Thierry Ehrmann,
President and Founder of Artmarket.com and of its Artprice department. Artprice
traces this history through the three main periods preceding Sotheby's
acquisition by Patrick Drahi and its digital transformation in 2020.
1988-2000: two successive bubbles
At the end of the 1980s globalization took Art prices to new heights. The $78
million hammered in 1990 for Pierre-Auguste Renoir's Au Moulin de la Galette
(1876) set a historic record at Sotheby's which lasted 14 years. But the
financial disequilibrium resulting from the arrival of Japanese collectors
supported by their fast growing economy led to a price crisis often referred to
as the "Impressionist bubble".
After a couple of difficult years in 1991-1992 (that dealers and galleries
still remember), the Art Market rapidly stabilized. Sotheby's intensified its
operations taking advantage of technological innovations linked to the
development of Internet. In 1999, Sotheby's recorded 27,550 Fine Art
transactions, the highest annual number in its history. But the "Internet
bubble" ended with a stock market meltdown.
2001-2008: up to the last moment...
For three years, from 2001 to 2003, Sotheby's gradually reduced the intensity
of its operations. This allowed the firm to return to a more solid base which
underpinned the following four years (2004-2007) and a quadrupling of its Fine
Art auction turnover (3.8x). The Art Market was entering a new era and
Sotheby's wanted to be at the helm. On 5 May 2004, an artwork crossed the
symbolic $100 million threshold for the first time when Sotheby's sold
Picasso's Le Garcon A la Pipe Pablo (1905) for $104.6 million in New York.
In 2007 Sotheby's posted a 50% increase in its turnover and its growth was
steaming ahead as 2008 unfolded. However, the collapse of Lehmann Brothers on
15 September heralded the start of a major financial crisis. Ironically, on the
same day, Sotheby's went ahead with its famous Damien Hirst sale Beautiful
Inside My Head Forever in London generating $73 million.
2009-2019: major restructuring
Although the 2009 art market was impacted by the financial crisis (-60%),
Sotheby's Fine Art turnover remained higher than its pre-2004 figures. However,
it clearly decided to reduce its volume to a relatively stable 11,000 to 15,000
lots sold per year. This strategy quickly paid off and Sotheby's recorded the
best two years in its history in 2013 and 2014, with each year boasting a
result above the $100 million threshold.
Between 2016 and 2019, Sotheby's started to seek a new equilibrium, notably via
the development of online sales. In 2017, the company attempted to boost its
online sales channel by waiving buyer fees... only to reintroduce them the
following year. Works by Basquiat, Modigliani and Monet - which marked these
four years - were all sold in traditional auction rooms.
This is no longer the case in 2020: on 29 June Sotheby's managed to sell its
star lot, Francis Bacon's triptych Inspired by the Oresteia of Aeschylus
(1981), for $88.55 million (incl. fees) during a online sale broadcast on
Internet. Sotheby's clearly sees the future of Fine Art auctions in this new format...
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regarding statistics and personalized studies: econometrics@artprice.com
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